A silent Western and a love story. When the secret agent Marshall tries to nab a gang of counterfeiters, he falls in love with the daughter of the gang’s leader.
Parker, seeking revenge on Culverson, is bringing in a flood of sheep. Branning signs on at the Culverson ranch to help fight them off. Standing in his way is hired gunman and crooked lawyer Sneed. T
Bad-hat townsfolk want to dispossess local Indians of their tribal lands; priestess and white ally fight back. One of four in a series.
A stagecoach line hires an agent to stop a string of robberies of gold shipments.
Jed Campbell, a "skypilot," and Nanette, a dance hall girl, meet when each goes to rescue Rex, "King of the Wild Horses," from a trap.
Square Deal Sanderson is in pursuit of a horse thief, but someone else shoots the varmint before Sanderson can offer him a "square deal."
Jode MacWilliams, a cowboy working on the Circle O ranch, has a crush on the boss's daughter, Peg. After his friend writes a love letter for him, an Indian steals and delivers it to Peg. Meanwhile, word of Jode's affection reaches Peg's father, who has a decidedly less romantic view of this young couple.
Hanson is using Bobby's carrier pigeons to receive messages. His man Slim shoots them down before they reach Bobby. When Slim is injured, Ranger Daniels posing as a drunk gets the job. He misses the next pigeon on purpose and gets the message from Bobby. But his identity has now become known and the gang rides to get him.
Dave and Phillip Hull, twins, are totally different in character. Dave is steady, slow to hate and true in love. Phillip, the gay and popular gambler, is perhaps more lovable on the surface, but shifty and flare-tempered underneath. Dave loves little Meg, daughter of Hardy, a cattle rustler. Dave does not know that the father is a cattle rustler, however.
Lash and Fuzzy come to town to unmask the mysterious outlaw kingpin, El Sombre.
Barstow and Stevens are forcing the local printer to print fake silver certificates which they then sell. Treasury Agents Chick Weaver and Throckmorton Snodgrass arrive working under cover. But when Chick's true identity as an Agent is revealed, Barstow sends his henchmen to finish him off.
Hero is center of plot by a gang of lawless whites to convince Indians he killed one of their number, but finally clears himself.
Tom Mix plays a cowboy coming to the aid of a rancher who's on the verge of foreclosure. Falling in love with Sally Blane, the rancher's pretty daughter, our hero vows to win an important cross-country race.
Out to avenge his brother's death at the hands of cattleman Kingston, Tim gets hired at Dawley's sheep ranch. The sheep men are greatly outnumbered but Tim has some tricks planned that will even the odds.
A western prospector, who has been unusually lucky, prepares to return east to his wife. The suspicious actions of a gypsy horse-trader, whom he has seen loitering near his cabin, prompts him to take his gold to the bank, but on the way he is thrown from his horse and suffers fatal injuries. A young man and woman come on the scene and are given the gold, after they promise the dying man to send a portion of it to his wife. Later, the gypsy, learning who got the gold, attacks the mother of the young people and escapes with the treasure.
A Red Army convoy transporting a large amount of cash is apparently ambushed by anarchists led by Makhno. In a twist of betrayal, the Red Army set up the attack to eliminate the anarchists. Two of the anarchists and one Red Army soldier survive, and like an American Western, they reconcile their differences to join forces against the Red Threat.
As the Civil War begins, Ned Burton leaves his Southern love Agatha Warren and joins the Union army. He is later protected and saved from death by Agatha in spite of her loyalty to the South.
Cheyenne Harry (Carey) and his pals, bent on helping their friend Rawhide Jack, attend a rodeo with the intent to win the prize for roping steers and to hand the winnings over to Jack.
The story is set in the Black Hills of South Dakota circa 1876. While making their way through the Badlands, a religious cult is terrorized by a bandit known only as Black Roger.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
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