Tom Milford, foreman of the Hayden ranch, and Sylvia Hayden, daughter of the ranch owner, are in love. Hayden has been notified that Archie Hollister, son of an old friend in the east, is coming to visit the ranch. Just before Hollister arrives, a cowboy brings word to the ranch that Simms, a troublesome neighbor, has been illegally interfering with the ranch supply of water.
A white girl, living with her father at the barracks near an Indian reservation, is very kind to a half-breed Indian. He falls in love with her but she does not encourage him. However, she one day is about to accept a trinket from him, when one of the soldiers, who is also in love with her, intimates something that does not sound nice to a good girl's ears.
Phyllis Coates, TV's erstwhile Lois Lane, essays one of her largest film roles in Blood Arrow. Coates is cast as a devout Mormon girl whose mission is to transport smallpox vaccine to her friends and neighbors. Unfortunately, this requires her to journey through hostile Indian territory. Appointing themselves as the girl's unofficial protectors are Indian scout Scott Brady, trapper Don Haggerty and (reluctantly) gambler Paul Richards.
A trio of former cattle rustlers try to go straight, but find that they can't shake off their reputations and trouble follows them.
Broncho Bill of Snakeville, is on one of his sprees. Loaded down with all kinds of artillery, he comes up Main Street, firing both pistols. He first visits the town bar and chases everybody out; he breaks into the hotel and causes a panic there; breaks up a prayer meeting; puts an English tourist to flight; grabs the boot off of "Alkali" Ike's foot and shoots at it in the air. Finally, tired of his sport, he borrows a horse and starts for home, shortly after to be pursued by the sheriff and his posse.
Escape from Patagonia is a gaucho-western film set in the tumultuous Patagonia of late nineteenth century. It's a story of survival, based on real facts from the personal diary of the Argentinian pioneer Francisco P. Moreno.
In this rare surviving two-reeler for Edmund Cobb's Universal series, the taciturn star plays Constable Collins, a Northwest Mounted police officer assigned to help pretty Rose Foster (Helen Foster) and her brother, Jack (Newton House), who are in trouble with a gang of claim jumpers. Unbeknownst to Rose, the gang is headed by Jim Murdock, whom the girl considers her only friend. Collins, who pretends to be a drifter, immediately becomes suspicious of Murdock's motives and the villain strikes back by having Rose kidnapped. There is a climactic fight in an abandoned shack in the wilderness but young Jack arrives in the nick of time with the Mounties.
Francelia Billington and Dorothy Gish battle outlaw Ralph Lewis out on the range with assistance from ranch foreman Donald Crisp.
A lawman and a rancher fight a gang of horse thieves.
Tempest goes out on a search for a young man who wronged a girl friend. She captures the wrong fellow, but the real one shows up and marries the girl. Ninth in the Spurs and Saddles series of two-reel Westerns.
Taking place in the city of San Antonio, a group known as "Taylor's Gang" harass locals and bribe police to turn a blind eye; they're known for the black markings on their face and they're feared by nearly everyone in town, everyone but one man. After saving a defenseless man from Taylor's second-in-command (Rico), A stranger begins poking around at the gang's mischief. Searching for a stolen bag, The stranger slowly uncovers the horrors of Taylor's Gang and plots to take down the gang one by one.
Buddy Walters is a cowboy falsely accused of a crime actually committed by nasty Al Richmond.
When the woman he loves commits herself with another, Joe, a ridiculous huaso who thinks he is a cowboy, steals from him a valued horse in which he embarks on a journey where he meets singular characters who convince him to fight again for her.
Percival Cadwallader Perkins was so bashful that whenever a woman would look at him he would blush like a beet, and this brought the "Happy Family," the cowboys of the Flying U, to calling him "Pink."
Caught by the Piutes, pony Express Rider Dick Carter falls in love with pretty Dorothy Earle, who belongs to that seemingly endless supply of white girls kidnapped in childhood and raised by Indians. Unfortunately, Dorothy is promised to Bud Osborne, described in a title as "a renegade white who dominates the simple minds of the savage horde." Does Dorothy succeed in taking her own life rather than face an uncertain future with evil Bud? Or does the stalwart Dick rescue her in time?
In this western, the bad guy kills a rancher and a Texas ranger so that the location of a copper mine will remain a secret. Another ranger goes undercover to catch the outlaw. The killer hires him. His assignment is to create trouble for the late rancher's daughter who has taken over the land. He cons her into to giving him the deed for the ranch. He takes it to the outlaw, but first he stops to warn the other rangers.
Helen Martin takes her father's place when he is too ill to carry out his duties as Sheriff, and followed by Jim Grey, tracks down Blackie Wells, notorious 'bad man,' who has shot up a town. The trail leads over prairie and woodland, ending when Helen assumes the part of a dancing girl in the Last Chance saloon and learns the hiding place of Blackie and his associates.
Pierre, away in the Northland, loves Jeanne. His love is returned and they are engaged to be married. Pierre leaves for a trapping expedition, and in the meantime the girl is enamored with the tales told by Niklo, an itinerant trapper, and becomes infatuated with him.
Cowboy Jerry Alton is content with life on the Bar Z Ranch until Mrs. Randall hires pretty Marian Faer to assist in cooking. Marian explains that she is looking for a redheaded husband. All the men are smitten with her, and several, including Jerry, try to dye their hair red.
A boy, Leroy McClaren, trains a wild dog to hunt the cougar that has been threatening the family.
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