Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.
It seems that Li Zhenfei was once an imperial concubine, who often found herself competing with her rival Madame Liu for the emperor's sole, undivided attention. When Li gives birth to the Emperor's child, the jealous Liu switches the boy with a cat and commands a servant named Kou Zhu to kill the baby. However, Kou Zhu ignores the order and gives the prince-to-be to the emperor's brother, a decision which eventually leads to the boy being adopted by the emperor himself! But as fate would have it, to go along with his new son, the emperor has a new wife as well - Madame Liu! As this strange new family unit is being constructed, poor Li Zhenfei has been confined to the forbidden palace, condemned to never see or speak to her son, the prince. But destiny reunites her with her son, but will this family reunion be a happy one? And will Madame Liu finally be punished for her treachery?
Raju is guilt-ridden when his involvement with gangsters get his brother, Amit, killed. When he meets Shankar, Amit's lookalike, he decides to make amends, not realising who Shankar really is.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
A dark and stormy night in a drugstore. The druggist mixes a potion and falls asleep. The skull-and-crossbones on the bottle comes to life and drips the potion on the druggist.
Meg, a music manager, travels from New York to London to manage a boy band, Five Together, and find them a Christmas number one to bolster their flagging career. She finds a song on the internet posted by an ailing thirteen-year-old girl, Nina, and tries to obtain permission to have the song re-recorded by Five Together, but she discovers she has competition from the songwriter, Nina’s uncle Blake. What follows is a romantic comedy about two worlds colliding – with a young woman at the centre who desperately wants her uncle to find love and for his song to hit the number one spot by Christmas Day.
A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.
On the day in 1965 that the Pope visits New York and masses of people line the streets in adulation, Artie, a zookeeper living in Sunnyside, Queens, thinks it's time for his life to be blessed, too. He desperately wants to escape his lower middle-class existence and become a popular singer and songwriter, but his life is complicated by an ambitious mistress, a crazy wife and a bomb-making son.
Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.
In 1818, when Joseph Mohr is assigned to be the new assistant priest in Oberndorf, a small Austrian town near Salzburg, the young man is full of ideas and ideals. His passion to bring the church closer to the common people sets him on a collision course with his new superior, Father Nostler. When Mohr organizes a church choir that includes outcasts from the local tavern and performs in German instead of Latin, Nostler threatens him with disciplinary action. Their relationship further deteriorates when Maria a regular tavern patron, surprisingly joins the performance of the all-male church choir. As Mohr's initial successes start to crumble and his efforts backfire on him, he loses all hope and faces a trial of faith. The night before Christmas, Mohr has to decide if he will accept defeat and leave Oberndorf or embrace the true significance of the Holy Night.
Taiwanese huangmei opera film.
A young teen's father dies, and he is sent to an orphanage. He's teased because he stutters almost runs away, until a beautiful, androgynous boy, Yasuo, convinces him to join the choir.
Preetham loves Nandhini, whose marriage is already fixed. He feels bad and leaves the place. Nandini challenges him to win her heart. Preetham accepts the challenge.
A young orphan in New York's Lower East Side is collectively adopted by three neighborhood men--a minister, a cantor, and a cop.
A great Party is given by the rich family of Improta. Every kind of intrigue gets around this party. The purpose of every plan is to find a husband or a wife with a quality: wealth.
A dancing bear escapes from the zoo and finds his way to Tom and Jerry's house. He dances with Tom, making it impossible for Tom to call the authorities; Jerry takes every opportunity to play music and keep Tom and the bear dancing
A soldier falls in love with a newly-married woman after her husband abandons her for a business meeting on their honeymoon.
The film covers the conflict between a father and his son both being musicians. The father is the leader of a band making rock-music from the 60s but his son becomes a star of techno-pop music.
Luc, a renowned opera singer, agrees to run a singing workshop at a women’s prison over the course of a summer. Although initially wary of him, Carole, Jeannine, Noor, Jess, Marzena and Catherine eventually capture his full attention. Luc soon finds himself confronted by the unpredictable and clashing temperaments of these challenging inmates, whilst the prison is in turmoil. How will he manage to harmonise their voices? Will he be able – and at what cost – to make them feel a semblance of freedom through song?
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